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psyprog tag is growing in recognition. Anyone else like it ?

About 3 years ago I found my self frustrated searching music e.g. If I searched "progressive psytrance" I was faced with a shit load crappy old fast psytrance or goa.. So I searched "psyprog" and found a 30 album pack of progressive psy. Every album was one of my favourites ! I put those albums (and others) into iTunes under psyprog, and its still the only folder i listen too. I love my"psyprog" only deserving albums go in that folder. 3 years ago tho hardly anyone was using it, Im seeing it around a lot more now tho. Anyone else like it ?
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Why do like '16 bit lolitas' a little ?

16 bit lolitas must be the only artist from the other (house) side of the fence, I have ever been able to listen too.. I have found the occasional "minimal-tech-house" set that sounds ok, but thats about it. Anyone else like any artist that is truely from the other side of the fence ? I never have.. Everything over there has always got cheese in it.
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New FREq Album?

Short album preview tracks are now available at SoundCloud:

http://soundcloud.com/freqiboga
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Psytrance RIP 2012?

Is psytrance dead in 2012? Or if not dead, lying on a hospital bed?

I dare you prove me wrong with youtubes of 2012 non-zombie psytrance
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Koxbox in a Danish movie?

Hello (long time no seen ;) ),

There was a movie (maybe danish) some (ok, meny) years ago that included a scene in a club and there was playing Koxbox - Midnight At The End. Anyone knows the movie?
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sound and production and money

is euro trance has a better sound production than psytrance ?

than main question is if the money factor plays a big role in the electronic music?
the people who have lots of money have the best tech and studios.?

im sure its like that in the movie industry but is it the same in the electronic music industry?
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Beyond Subculture and Postsubculture? The Case of Virtual Psytrance (Journal of Youth Studies)

Was anyone aware of this study? :) It's already quite old right now though. (2006)
It handles (on a scientific, sociological level) about the psytrance community on the internet. Quite interesting (though I didn't read it all yet), but don't expect it'll be an easy read hehe. Psynews was used as a source by the way.

Source: http://www.tandfonli...676260600914390
PDF: http://www.tandfonli...676260600914390

Second half of the introduction:

"This particular group was
chosen as research subjects as in many ways they appeared to epitomise a
‘postmodern subculture’*a seemingly contradictory turn of phrase, but highly
relevant to the debates about subculture and post-subculture. In other words, virtual
psytrancers are a global, Internet-based grouping (hence seemingly postmodern), yet
whom also share temporary physical spaces (i.e., attend psytrance events in one or
more countries), and who are characterised by a strong attachment to a particular
form of music, and a common set of values, practices and belief systems (i.e., aspects
of what we think of as subculture).
A total of 569 virtual psytrancers from over 40 countries were involved in a unique
[2] large-scale, Internet-based, online-questionnaire-based survey, which assessed the
shared attitudes, global spaces and international connections of the group. Firstly, we
provide some background and explain what virtual psytrance is, before moving on to
contextualise the study within the wider debate about subculture and postsubculture.
We then turn to a discussion and rationale of the research methodology
utilised. Finally, we present a range of data from the online questionnaire (including
both quantitative data and data from more ‘interpretive’ open-ended questions),covering aspects relevant to the subculture/post-subculture debate, such as psytrancers’
sense of community and solidarity, belief systems (spirituality and religious
beliefs), adherence to their chosen musical form and patterns of drug-use in relation
to the culture. We also examine both their use of the Internet and their attendance at
psytrance events (both inside and outside their own countries), to maintain and
cement their dedication to this culture. Overall, the findings presented here reject a
simple theoretical dichotomy, and challenge the notion that tightly bounded
subcultures must be primarily local (rather than being global/virtual), and singularly
class specific, as well as refuting postmodern conceptions that global youth styles are,
by definition, depthless, transitory and internally fragmented."


(hope this is no re-post)
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Need some help/opinions about old school artists

I was watching some videos on youtube about This Is Psytrance, This is Goa Trance etc. and after reading the comments I was amazed about how many people are new in the scene and want to learn more about psytrance. Most of the questions of course were about difference between Goa and Psy, what's Full On, what is Forest etc.
So just for fun I decided to upload some videos myself to explore all the psytrance field.

The idea is to create a video for each subgenre with multiple tracks (fading in/out), possibly write soke comments as well.

Since Goa is a huge field I'm thinking to create more than one vids. Perhaps one for Goa, one for darker Goa or one for neogoa. I don't consider dark Goa or neogoa as different subgenres than ''regular'' Goa, but I think it's interesting for a new listener to hear the differencies.

I also want to have a video about old school psytrance (pre 2000 period). And here's the deal.

There are some artists that over the years we have disagreed if they are goa or old school psy. So I want to have your opinion about them.

Koxbox (pre Great Unknown period)
UX
Slide (Unstable and before)
Syb Unity Nettwerk
Hallucinogen (Twisted album)
X-Dream (pre Radio period)
Psychaos
Sandman
BOTFB (Twin Sharkfins album)
Juno Reactor (oldschool period)
Orichalcum & The Deviant
Quirk (Ping style tracks)
Synchro (1998 and before)
ManMadeMan
GMS (Growly Family & Chaos Laboratory)
Pigs In Space
Tim Schuldt (Single collection album)
Nervasystem



Thanks in advance :)
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